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Swallow on a Branch, Paul Comoléra (1818-1897)

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Rare circular cup in onyx and bronze, with central decoration of a swallow resting on a branch, by the sculptor Paul Comoléra (1818-1897).
Known for his realistic sculptures of animals, especially birds, his art is detailed and anatomically precise, he is part of the elite of French animal sculptors.
Signature of the sculptor “P.Comolera” in hollow, on the naturalist base.
Period second part of XIXth century, circa 1880.
Perfect state of conservation and patina.

Dimensions: Width : 27 cm - Depth : 27.5 cm - Height : XNUMX cm

Rare circular cup in onyx and bronze, with central decoration of a swallow perched on a branch, by the sculptor Paul Comolera (1818-1897).
Known for his realistic sculptures of animals, especially birds, his art is detailed and anatomically precise, he is part of the elite of French animal sculptors.
Signature of the sculptor “P.Comolera” in hollow, on the naturalist base.
Period second part of the 19th century, circa 1880.
Perfect state of conservation and patina.

Dimensions: Width : 27 cm - Depth : 27.5 cm - Height : XNUMX cm

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Paul Comoléra (1818-1897)

Alexandre Paul Comoléra, known as Paul Comoléra, born in Paris on June 3, 1813.
A famous French animal sculptor, he is the son of Corporal Alexandre Paul Jules Comoléra (1783-1861) and Marie Marguerite Nicole Terzi (1785-1861).

Paul Comoléra was a student of the sculptor François Rude (1784-1855).
He made his debut at the Salon in 1847 and exhibited there regularly until his death.
Known for his realistic sculptures of farm animals and birds, lacking the romantic style of his famous pupil Jules Moigniez (1835-1894), his art is detailed and anatomically accurate.

The sculptor died in Paris on November 9, 1897.

Paul Comolera (1818-1897)

Alexandre Paul Comolera, known as Paul Comolera, was born in Paris on June 3, 1813.
A famous French animal sculptor, he was the son of Corporal Alexandre Paul Jules Comoléra (1783-1861) and Marie Marguerite Nicole Terzi (1785-1861).

Paul Comolera was a pupil of sculptor François Rude (1784-1855).
He made his debut at the Salon in 1847 and exhibited there regularly until his death.
Known for his realistic sculptures of farm animals and birds, void of the romantic style of his famous pupil Jules Moigniez (1835-1894), his art is detailed and anatomically precise.

The sculptor died in Paris on November 9, 1897.

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